Chinese Proverb
Celeste “Bear” Morningstarr-Angleton lives in Sterling, Alaska, a small borough on the Kenai Peninsula. Here she finds the remote stillness of an untamed land, with its own sense of time, to not only inspire her love writing, art, and poetry, it is a place that will forever ignite her imagination. In 2005, after seeing her youngest graduate high school and then join the NAVY, she returned to college and graduated, with honors, May 2008 from KRC, an extension campus of UAA, receiving her Associate of Arts degree and a Minor in Philosophy. She is also a long-standing member of Phi Theta Kappa.
As a writer, Morningstarr is an undiscovered talent, currently looking for representation of her 64,000+-word creative/narrative nonfiction manuscript, IMAGINE, a gift for every dreamer who ever dared.
As a one-of-a-kind artist, Morningstarr has worked closely with all of her clients, including Roger Clyne, singer/songwriter of The Peacemakers. She has created hundreds of unique items throughout her twenty-nine-year career. She is also widely recognized for her distinct hand-crafted “Trees”, which have sculpted the path of her artistry.
My story begins by drawing upon the wisdom of some of our greatest philosopher’s ideals, beginning with Plato, to help demonstrate that there appears to be no difference between his world and our own, proving the old adage,
“The more things change the more they stay the same.”
It seems life has gotten noisy, crowded, and much too busy, alt
My story begins by drawing upon the wisdom of some of our greatest philosopher’s ideals, beginning with Plato, to help demonstrate that there appears to be no difference between his world and our own, proving the old adage,
“The more things change the more they stay the same.”
It seems life has gotten noisy, crowded, and much too busy, although I don’t believe any more is actually being accomplished. In fact, I think all we’re really doing is filling up what I call empty space. From the moment we open our eyes to the new day our senses are bombarded by too many voices, determined to drown out our own. Before we realize it, our thoughts have become tangled in a web of confusion, swarming with the demands of the outside world. But, why? Is it because we’ve forgotten how to manage our inner world? Trust me, no matter who you are, no one can stand in front of the mirror and deny the view for long. On the other hand, go ahead and try. Stand there for as long as you can. From deep inside something will speak to you. If you’re listening, really listening, you will hear that small voice asking you to trust, to believe, and to consider what it has to say. It has important things to share with you, including the many distorted perceptions you hold onto about yourself.
The story within the pages of IMAGINE may be my own, but it could very well belong to each one of us. As unlikely as this may sound my story begins with a little boy, utterly engrossed with an orange lollipop. And so, I offer you IMAGINE, the first in a three-part series which begins as a primer, an introspection, and an invitation to examine what we both consciously and subconsciously permit into our world. IMAGINE is also my way of saying thank you, to that little boy, for the unexpected gift of courage to author this book.
The mechanics behind many of our conversations don’t have to be thought of as being an overly complicated process. In fact, most of the time we hardly give it a second thought. However, our conversations do require a certain degree of sincerity. In order to understand this better, think about the ways most of us communicate today. In our
The mechanics behind many of our conversations don’t have to be thought of as being an overly complicated process. In fact, most of the time we hardly give it a second thought. However, our conversations do require a certain degree of sincerity. In order to understand this better, think about the ways most of us communicate today. In our ever-advancing technological world our ability to communicate with others, not to mention the frequency most of us would be guilty of, occurs without hesitation; that is unless you’ve forgotten to charge your batteries. There’s no doubt many of us believe those hundreds if not thousands of text messages we send or receive, or our constant posting, checking, and rechecking our status updates demand, are not only an effective means of alerting the masses, they’re also an extremely convenient way of staying connected. Once upon a time we felt the same way about the telegram. Still, like the telegram, text messages and status updates lack a certain nuance. And, more often than not, it’s the nuance – the message beneath the actual words, that lingers, and without our knowing it, it changes us. It changes us whenever we find ourselves asking questions, such as, “Who am I? What do I stand for? What do I believe in? What sort of future awaits my arrival? What is it I’m working towards, and why?” What are the motivating forces behind our actions - inactions? Are they grounded merely by our desire to survive, or do they arise from our freewill? Are they based along the lines of our resources, our culture, and society? What is the difference between responsibility and compulsion? Can we say we are moved subjectively or objectively? Is there a dominating force that supersedes even our own will? What is our greatest asset? Is it our cognitive ability to reason or our spiritual essence? Science might say it is the first, while religion would declare the latter; proclaiming it retains the highest authority that serves to save our soul, reminding us repeatedly, no one escapes death. Then again, science would say it has to do with the mind’s ability to reason, thus providing us with the necessary means of increasing, not only, our degree of survival, but also our degree of comfort. Nevertheless, in today’s state-of-the-art world have we really become better equipped than our ancestors have, or have we simply found better ways of ignoring the questions?
In order to better understand our dilemma, IMAGINE delves into the problem by examining the origin of our disparity, the forgotten essence of language. What I mean by this is that instead of placing value on words we automatically assess as being either/or, we began to understand their polar opposites, or what I like to call the universal
In order to better understand our dilemma, IMAGINE delves into the problem by examining the origin of our disparity, the forgotten essence of language. What I mean by this is that instead of placing value on words we automatically assess as being either/or, we began to understand their polar opposites, or what I like to call the universal link of opposites, created in order for us to fully comprehend the perfect balance found in every state of being. Now, for the coup de grâce! Here, IMAGINE begins by asking such questions as, What if there truly is no such thing as good or bad, right or wrong. After all, what if the proverbial box we’ve locked ourselves away in is actually a tomb we lay buried in, with no chance of escape? Or the cave of shadows Plato imagines all human beings are forced to inhabit, held fast by the chains of ignorance. In fact, I believe we live our lives in the same manner as those prisoners trapped in Plato’s cave; a philosophical parable that to this day encourages us to think outside the box – to look beyond what we think we know and consider any number of possibilities. Especially those, which may at first, appear absurd.
IMAGINE explores the concepts of truth, action & reaction, and breaking down those barriers we’ve constructed as a means of self-defense by asking such questions as…
‘Is it possible, even remotely so, to know for certain that nothing is certain? What is reality and what things, if any, would you choose to describe as being real? What is t
IMAGINE explores the concepts of truth, action & reaction, and breaking down those barriers we’ve constructed as a means of self-defense by asking such questions as…
‘Is it possible, even remotely so, to know for certain that nothing is certain? What is reality and what things, if any, would you choose to describe as being real? What is the nature of those things? Do some things exist independently of our perception, such as space or time? Is there an ultimate ‘ought’ or ‘should’? Is there a normative value or objective that takes the place of all others? In other words, what makes for good thinking, and when can I say for sure that something just doesn’t make sense?’
What I’ve discovered is that there is more to the truth than we currently perceive.
For most of us, our journey begins when we take a closer look at our attitudes and our self-belief. Here we come face to face with what it is we believe offers us hope, as well as that which fuels our drive. What many of us soon discover is that our ability to grow or expand is impeded by nothing other than our own uncertainty. However,
For most of us, our journey begins when we take a closer look at our attitudes and our self-belief. Here we come face to face with what it is we believe offers us hope, as well as that which fuels our drive. What many of us soon discover is that our ability to grow or expand is impeded by nothing other than our own uncertainty. However, I believe this is where our hesitation ends; it ends the moment we find ourselves one-step closer to appreciating where we have come from, in order to comprehend where we are headed. The simple fact of the matter is Life does not uphold neutrality. It never has and it never will. If we are willing to tell ourselves the truth then, and only then, will we realize there is no middle ground. In other words,
“It comes down to a simple choice, get busy living or get busy dying.”
Quoted by Andy Dufresne, in Stephen King’s movie, The Shawshank Redemption.
IMAGINE expresses the idea that by becoming willing participants, instead of hesitant observers; as we proceed on the road that leads us nearer to our destination called Self-fulfillment, we discover the opportunity to become more than we have permitted ourselves to be and less of whom we thought we were.
The truth is most of us already
IMAGINE expresses the idea that by becoming willing participants, instead of hesitant observers; as we proceed on the road that leads us nearer to our destination called Self-fulfillment, we discover the opportunity to become more than we have permitted ourselves to be and less of whom we thought we were.
The truth is most of us already know what it is we need to do, in order to create our own personal sense of fulfillment in our lives. Still, every so often even the very best of us forget. IMAGINE is a friendly reminder that there are those moments that exist, if for no other reason, that brings about our own well-being. When we do this for ourselves, and in the spirit of honesty, not only do we significantly change our lives, but we also touch the lives of everyone else.
Collectively we are of the same species called humankind, sewn with kindred threads, woven into a fine fabric that scintillates through an intense, extensive, and infinite multi-dimensional universe.
A dimension that provides each of us with a unique reality that exists within the sphere of our own conceptual image. Let me put it another way – imagine yourself a pebble, dropped within the center of a pond. Notice how the rings reach for the shore, one after another. Now, imagine everyone else as a pebble, dropped into this same pond, each circle stretching out, touching ours, yet we continue to arrive upon the banks of the pond. This insight is the glue or connecting force that demonstrates the continuum of the Web of Life, maintained by the grace of our Being. It is Spirit within manifestation. Born of Unconditional Love, in which each of us shares the same signature of recognition, based upon the connection of our being one with all that is. I wanted to remind you that the box was always of our own making. It was never real, but rather a collection of illusions we’ve learned to master.
“Celeste Morningstarr is a visionary. Some may say she’s ahead of her time; but actually, she’s outside of time, observing and experiencing past, present, and future in “no-time.” Her insights and honed intuition stem from a life of experiencing the extraordinary. As you read, note the high level of understanding and compassion that informs her teaching. Nod with what speaks to you and ruminate on the rest—letting it seep in slowly, changing the way you see the world."
Christine Gehrett, Ph.D. Philosophy, Applied Philosophy, UAA [retired}
“Written in the dialogical communication format, IMAGINE has to be read with an “Intuitive Ear,” in order to pick up Morningstarr’s subtle meanings, embedded throughout the book, as well as appreciating her slight, though sometimes overt, moments when her sense of humor begins to take on a life of its own. While Morningstarr skillfully describes the paradoxes and dualities of life, many readers will find it difficult to forget Spirit’s journey - in both the spirit world and the physical world. It is the journey of our soul, as it works its way through the many stages of conscious evolution.”
Garth Fisher, Clinical Social Worker, Psychiatric Social Worker, Intuitive Consultant, Sound Therapist, and Rockdancer (AT) with 50+ years of clinical experience
“Morningstar contemplates the idiosyncrasies of the human soul. She succeeds brilliantly. This book will get you thinking and understanding in ways you’ve never thought before. She has true insight into the human experience.”
Paul Landen, PhD, Psychology
“IMAGINE is an amazing work. Playfully and whimsically written. Imagine brings a new perspective to the written word and opens new ways of viewing language and ideas. I can’t recommend Imagine enough!”
Jedidiah Anderson, Middle Eastern Studies, American University of Beirut
Little spider,
will you outlive
me?
byCor van den Heuvel (Haiku Anthology, 34d ed. 1999)
Meteor shower…
a gentle wave
wets our sandals
by Michael Dylan Welch (HSA Newsletter XV:4, Autumn
2000)
April mist -
under the pine
at midnight
by Jack Kerouac, collected in Book of Haikus, 2003
Just friends:
he watches my gauze dress
blowing on the line.
byAlexis Rotella (After an Affair, Merging Media, 1984)
and lastly, Richard Wright, the African American writer and poet’s English haiku who adhered to the Japanese style, reads as …
Whitecaps on the bay:
a broken signboard banging
in the April wind
by Richard Wright, collected in Haiku: This Other World, 1998
Even though haiku is considered the most practiced form of literature in the world, some may feel it isolated, as if it were an island cast to a mysterious ocean.
In their book, The Poetry of Zen, Hamill & Seaton defined traditional Chinese poems as often written in verses together with lines of either 5 or 7 syllables, and in poems of four or eight lines, usually with a set rhyme or arrangement. On the other hand, the Japanese poem is typically 5 lines, with syllables measuring 5 -7 -5 -7 -7 without requiring a set rhyme or pattern, instead relying, to a great extent, on enhanced feelings…adding, “the haiku should place the emphasis on imagery over explanation.”
In “Understanding Modern English-Language Haiku”, a 2010 essay by Tracy Koretsky at WinningWriters.com, the author surmised that any American poet, when asked, would describe haiku as being a three-line poem consisting of 5, 7, 5 [counted] syllables per line, and that it should contain an image of the natural world, specifically a seasonal one. Koretsky went on to state that “neither is true.” In addition, the author added, “there is nothing simple about haiku. It is a deep and highly nuanced genre with sensibilities that can take years to comprehend.” Regarding the authors note as to seasonal references, unnecessary within an English haiku, she went on to state “it is not only about nature, but about nature within time.”
When it was published by Ezra Pound in 1913, the first English haiku, “In a station of the metro” was only two lines long. Throughout the era poets are still debating as to style and format; some believing in haiku’s evolution while others care to keep its style pure, as in its original form.
I believe what my contemporaries are trying to say is that the poet themselves are in search of one’s personal sense of perfection, hoping to convey those private occasions, expressed with creative disciplines while catching the mood of the moment the poet themselves wish to share, using as few words as possible. Furthermore, I believe most poets strive to include those moments made up of everyday life, we oftentimes lose sight of, such as the love affair, our ceremonies, and celebrations, perhaps even our death.
But because there are a limited number of words available to the poet, within a haiku, it's crucial that each one declares itself worthy. Still, over time poets find themselves using the same or similar allusions, when it comes to the natural world, discovering for themselves it is the words which have become deeply prized by those who love this style. However, Koretsky goes on to suggest that it is “the concept of resonance is perhaps the most difficult for Western readers to understand.”
Later in Koretsky's essay, she interviews Jane Reichhold, a distinguished teacher of haiku, who gives these clues to the form’s underlying principles: “All haiku writers search for interesting first lines that grab the reader’s interest... [When a] haiku uses the riddle technique, the author should set up the riddle with the first two lines, then give the answer in the third.”
Reichhold went on to add, … “we need to eliminate the article (the) -adding, always a plus when trying to be succinct. Secondly, all haiku writers search for interesting first lines that grab the reader's interest. Thirdly, since [some] haiku uses the riddle technique, the author should set up the riddle with the first two lines, then give the answer in the third. As a result, “the answer is always given away in the first line.” Should the poet succeed in capturing the reader's interest, what generally occurs is often referred to as the “aha” moment, whereas reader has made the connection for him or herself. In other words, the haiku requires an active reader, a participant willing to unravel the mystery for themselves.
Please click on the link below to read more of Tracy Koretsky's article
https://winningwriters.com/resources/understanding-modern-english-language-haiku
At the beginning of my journey, creating these haikus were no labor of love. The truth is writing them began as an exercise, a homework assignment suggested to me by my psychologist, Dr. Pamela Hays, Ph.D., as a means of focusing my attention on my uncelebrated skills as a poet and writer, whenever my pain medication failed to relieve me of the, at times, unbearable pain I felt from the waist down, or when being confined for hours at a time. Thus, at first writing haiku offered me a placebo, effectively producing just enough of a distraction which allowed me to focus on. Soon afterwards, they became an addiction, a routine I simply had to abide by. Over the course of the next two and half years they became something unexpected, a collection of haiku’s, spanning three volumes, Breathe In, Breathe Out, and Repeat After Me. A treasure chest of poems I could be proud of. And, as for this homework assignment of mine, well, all I can say is that I’m walking, and while I won’t be running anytime soon, I do get around. Although I do not claim to be a master of anything it seems as if my hand were guided in a curiously quiet manner, in order that I might share with you, my story. And so, I offer up a part of my journey, through the poetry we call haiku.
For this reason, I present you with a blend of both traditional and experiential forms of haiku. I'm certain some of you may find I have taken a slight liberty or two, regarding the exacting style haiku demands of its author, yet, in the end, I hope I may be forgiven.
If only I had stopped long enough to investigate what English poets were hoping to create in terms of writing Japanese forms of haiku, I may have understood better their explanation concerning the syntax, as well as their belief in the construction of a haiku itself. Instead, I indulged my belief by honoring the style that I held in my po
If only I had stopped long enough to investigate what English poets were hoping to create in terms of writing Japanese forms of haiku, I may have understood better their explanation concerning the syntax, as well as their belief in the construction of a haiku itself. Instead, I indulged my belief by honoring the style that I held in my poets' mind, concerning the structure that is Japanese haiku, finding that what I had indulged was in fact my ignorance when it came to understanding the differences between Western poetry and Eastern poetry.
Sitting silently
spring comes
and the grass grows by itself
- Basho
A moment of Gratitude...
I would like to offer my sincerest thanks to
Jendi Reiter, Editor of WinningWriters.com for his patience, guidance, and permission to use the authors, Tracy Koretsky’s, 2010 article, in my write-up.
I would also like to express my gratitude to Dr. Christine Gehrett (Theno), Garth Fisher, Dr. Paul Landen, and Mr. Jed
A moment of Gratitude...
I would like to offer my sincerest thanks to
Jendi Reiter, Editor of WinningWriters.com for his patience, guidance, and permission to use the authors, Tracy Koretsky’s, 2010 article, in my write-up.
I would also like to express my gratitude to Dr. Christine Gehrett (Theno), Garth Fisher, Dr. Paul Landen, and Mr. Jed Anderson for their kind words, regarding my manuscript.
I would like to add my warmest regards to Dmitriy Mirochnik, for the use of his photograph at the beginning of the title page,
"Saucer full of secrets" which I fully intend to have as the cover of IMAGINE. We've waited a long time Dimitriy, haven't we.
I would also like to offer my heartfelt thanks to both Tom Angleton & Emily Ketchum for their generous contributions, in sharing their photography with me.
Please email me at danceuponthewater@yahoo.com
Breathe In, Breathe Out, & Repeat After Me are also available at this website Please put your preference in subject line Thank You
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.